I am a French photographer for whom the image has always been an intimate language a way of reshaping the world beyond what it merely shows. From the beginning, photography felt inevitable: a tool to capture reality while transforming it, allowing space for silence, absence, and emotion to emerge.
Graduated from the EFET high school in Paris, I developed technical rigor while affirming a sensibility rooted in narrative and emotional photography. Very early on, travel became central to my vision. Moving between France, Canada, and Mexico at a young age, I formed an instinctive relationship with places their atmosphere, their fragility, their memory. In my work, landscapes are never purely documentary; they become mental spaces, inner territories shaped by perception.
At the core of my practice lies a deep need to reinterpret reality. Through color, I seek to soften, displace, and sometimes beautify what is traditionally considered harsh, abandoned, or unsightly. Color becomes an emotional filter a way to reveal tenderness in decay, poetry in emptiness, and quiet beauty in places marked by time. My palette often leans toward muted, dreamlike tones, creating images that hover between realism and reverie.
My career began in wedding photography, a field that allowed me to explore the relationship between human presence and its environment. In 2016, my work gained international recognition when I pioneered a new approach: drone couple photography. This aerial perspective introduced a radically new poetic language. Seen from above, human relationships dissolve into the landscape, offering another scale of intimacy where emotion converses with vastness. This work earned worldwide recognition and marked a decisive turning point in my authorial journey.
Driven by this creative freedom, I gradually stepped away from established frameworks to pursue a more personal artistic research. My travels led me to Cuba, where I developed a photographic series recognized for its singular use of color. Far from clichés, I employed soft, shifted, almost unreal hues to translate a fragile, suspended reality. Absence, emptiness, and stillness became central themes, what remains when movement and noise disappear. This body of work, positioned between dream and reality, attracted the attention of CNN Travel and later an art gallery that now represents my work internationally.
Today, my photographs exist beyond their place of origin. They are regularly published, exhibited, and sold in art galleries, and frequently selected as book covers, particularly for novels with poetic, melancholic, or cinematic sensibilities. Allowing my images to dialogue with literature feels like a natural extension of my practice a way for photography to become a form of storytelling.
Based in French Polynesia, I continue this exploration from a territory that is both vast and intimate. Whether photographing distant landscapes, abandoned places, or human bodies inscribed within space, my work questions our relationship to time, memory, and solitude. My photography does not seek to explain reality it transforms it, leaving behind a trace, like a softened memory that lingers long after the image is seen.